Bryan Ingham (1936–1997) was an English artist born in Yorkshire who specialised in painting, etching and sculpture.He went up to London’s St Martin’s School of Art, where he had the tuition of a fine post-war generation of teachers who helped him to hone his draughtsmanship and other skills, and he swiftly showed a capacity for painting that drew the attention of his tutors and peers. On graduating he was offered and accepted a post-graduate place at the Royal College of Art, where in his second year he was awarded a Royal Scholarship and was a contemporary of a number of now better-known names including David Hockney. He was establishing a reputation for bolshiness with his teachers, and in later years he admitted, a degree of arrogance. It did not stop his talent being appreciated by the staff including his director Carel Weight.It was at the RSA that he made his first acquaintance with etching. Ingham was to become one of the most notable etchers of the second half of the 20th century, remarkable for the size and quality of his plates, which he often attacked in a style he called “quarrying.” He was by then established himself in a fine studio in Fournier St, off Brick Lane and teaching part of the time at Maidstone College of Art, enjoying among others the company of Quentin Crisp, who was a life model there at the time, particularly on the train journeys up and down from London.